I was pretty tickled when Madeleine convo’ed me these images of her Gumball Machine. She used the directions from my Pottery Making Illustrated article. It’s the first time I’ve seen the end result of a project I wrote, and it’s a pretty cool feeling, plus I think she did an awesome job of taking and idea making it her own. You can check out more of her ceramic work in her Etsy shop.
April 22, 2009
M&M Dispenser by Madeleine
April 21, 2009
Blind Contour Sculpture
Just a quick post of a sculpture I’ve been working on. My largest to date, hand built using slab/coil from the bottom up. Based on a blind contour drawing I did of a man in a 1928 Montgomery Wards catalogue (yeah man 1928! Thanks mom!).
Anyways, just finished putting the details on the face and warddrobe. I have no idea what I will use for glaze/slips or even how I will fire it (loafer glory stoneware), plus I am getting a few cracks (probably not the best clay body for scuplture. I figure it’ll get put in the wood kiln at some point and I’ll hope it doesn’t fall apart onto the other pots, or explode, or fire unevenly or… anyways, anyone wanna share some nice sculptural slips?
April 8, 2009
Recipe for an avatar…

Hi had to update my facebook av for my “Spring Me” look. There is something seriously wrong with me I suppose. But I came up with my own recipe for these photoshoots I wanted to share with you, cause I am all about following the rules….
- Mouth should be slightly open, but don’t smile. The point is to look thoughtless but not like an embecile. Drool is no good, but you can show one or two teeth.
- Cover at least one or more of your identifying facial traits. ie. hair, eyes, mouth or nose.
- Take too many pictures, then choose the one that looks most candid (a candid shot is hard to get in a photoshoot environment).
- Be serious, but add one element of humor. Don’t call attention to this humor or it will be a gimmick. If humor is looking left, everything else should be looking and pointing right.
- Photoshop’s shadow and highlight filter is your friend. It lightens the darks and darkens the lights.
April 7, 2009
On the Cover of Pottery Making Illustrated
Tooting my own horn for sec… hope you don’t mind, I’m kinda stoked! I just saw my Pancaker Article made the cover of Pottery Making Illustrated! Yippeee! This is the second article I’ve written for them, the first one was the Gumball Machine article.
April 2, 2009
Blue Decals
While I am waiting on the kiln to cool, I figured I post one of the decal results I’d been working on since the beginning of the year. Most of the issues I’d been hindered by are colorants not being strong enough, they were too faint on the pot to really appreciate. So I broke out the cobalt. On this pot, I used the pronto plate lithography process using 90% 3124 Frit, 10% EPK, and mixing it with 40% cobalt (yeah, that’s 140%, but that’s how I roll - always giving it 140 percent). Anyways, normally that would be a unhealthy level of cobalt for a glaze. The first tests at fired to cone 04 (over top a cone 10 glaze) were not so hot, so… I fired some more tests with the bunnies from the previous post which happened to be cone 5 (over top cone 10 glazes). I got a solid melt to the underlying glaze, a nice blue detailed design. The square motif on these are about an 1″. I think I may drop the temp down a little more to help retain the crispness of the image, however it may be a result of bad printing on my part.
The white decals are next. I got a few promising results using zircopax, but they were still pretty translucent for my tastes. So myu next step is silkscreening them to get a heavier coat.
Lastly, on a similar note, I bought a CraftRobo a few weeks ago and that thing is awesome! Basically it’s a printer but instead of printing it cuts. It will set you back about $300, not bad for a vinyl cutter. But I used it to cut out stencils from copy paper. I applied them to leather hard pots and soaked them real good with water. Then brushed various flashing slips in layers. After the pot was leather hard again, I peeled the stencils back. Those pots are in the kiln cooling now. Can’t wait to see what they, look like. The process was inspired by Zygote’s torn newsprint method, who is generous enough to share his processes on his blog. Check ‘em out if you haven’t already!









